In Process, Without Prospects
In Process, Without Prospects, author's reading,
opening of the Beyond Nuclear Family
exhibition organized by Jindřich Chalupecký Society, Foundation and Center for Contemporary
Arts Prague, June 2020, photo: author’s
archive
He is standing with his wife in the corner of an
old, disused cemetery in front of a grassy triangle bordered by two perimeter
walls and a gentle slope. From here they are looking down at an irregular
rectangle of freshly turned soil. They’re talking about whether they should dig
up the corpse they’d only recently buried here. They’re worried they haven’t
buried it deep enough. Like this, the police will find it easily. All they have
to do is notice the turned soil, dig down a metre and they’ve got her. The
argument continues over whether they should leave or dig up the body and make
the hole two to three metres deeper. That would take a lot of time, however,
and they’d no doubt get nabbed by the cops. The atmosphere is becoming tense.
They don’t know what to do, how to decide. Suddenly the man wakes up, breathing
heavily and staring upwards uncomprehendingly. Wearily he comes to and realises
that those few moments of his life were a vivid and intense dream. Even so he
is still doubtful over whether it really was pure fiction. Maybe he’d witnessed
something similar and the dream reminded him of it again. He is fascinated by
the clarity of those few moments, but as he’s waking up, everything is slowly
vanishing. He tells himself to go back to sleep; but is unsuccessful. At first,
his eyes wander over the ceiling. He can discern cracks and stains disrupting
the flat surface of the plaster. After getting lost in thought for a few
minutes, he returns to his dream. First to the graveyard. He tries to recall an
image of it. Perhaps he’d been there at some point in the past. But why a dream
like that and why now? A short while later he comes to the conclusion that it
was probably allegorical: when someone ditches their body in a dream then
they’re definitely trying to suppress something, a memory, most likely, that
bears the scars of bad conduct or actions in the past. The fact that he buried
the corpse with a woman can only mean one thing – she shares the secret with
him. He vaguely remembers how in the dream she tried to convince him that the
body is buried deep enough. He, on the contrary, maintained that it needs to be
buried even deeper. That could mean she knows about the memory, but it’s not
that important to her. Suddenly it comes back to him; the day before they’d
been visited by acquaintances. They’d had dinner, a few drinks and they talked
about various things. At one point they broached a theme that he found
unpleasant. They were criticising something that concerned him personally. They
were scoffing at one of many cultural relics of the social class he hailed
from. They had no idea about this, they’d not known him very long or well. His
wife was watching surreptitiously. She knew they were indirectly also taking
about him. This awkward situation lasted for several minutes. No longer than
three, four minutes. Then he managed to steer the conversation onto a different
theme. “That’s it!” he says. “That’s it.” Abruptly he leaps out of his bed and
starts walking around the room with his fists clenched, then quickly he leaves
the bedroom so as not to wake his wife, leaving the door slightly ajar behind
him. He is breathing heavily, his fingers are curling up painfully. He keeps
walking to and fro. He walks over to the kitchen and with all his strength he
starts to punch the air. He is looking for an imaginary, faceless and nameless
enemy, but he can feel its presence. After a while, completely exhausted, he
squats down. His arms are stretched out between his knees and he keeps opening
and closing his trembling fingers. All the while furiously hissing: “Fuck this,
fuck this, shit, shit…” He gets up and his imaginary enemy acquires sharper
outlines – the couple from the previous evening. “Why so high and mighty? Who
do they think they are? Who do they even think they are?” he repeats over and
over. Not only was their criticism attacking the social class he came from,
above all they were attacking values that were formative during his childhood
and with which he still identifies and does not mean to renounce. That’s why he
keeps jabbering: “What can they know, what can that lot know? How dare they
vilify anyone! Laugh at them. Those two of all people. He realises that the
woman works with children from socially excluded groups in a non-profit
organisation. And again he starts to shake with anger. “If anyone, she should
know! Who else?! She really is completely stupid! Damn hypocrite! It’s not
enough today to take good care of your kids, they have to acquire these urbane,
polished morals so they can be successful among people like them, so they take
them in as their own! Well fuck me! My parents certainly didn’t give me that,
even though I had a happy childhood and I can’t complain about anything. They
have disappointed me there. They really fucked that up! Now I don’t know
whether to be pissed off with Mum or Dad. Fuck!” He sits down on a chair in the
kitchen and all manner of thoughts and opinions are flitting around in his
head. He stands up again. He goes to make some tea. “So, what should I do about
it?” he asks himself. “The best thing would be to come to terms with it and
learn to live with this unpleasant and exhausting emotion. This injustice. But
how? Should I refute everything from the first two decades of my life? Will I
be able to maintain an internal integrity? Won’t this have a negative effect on
my life? I already have problems with keeping my occasional fits of aggression
on a tight leash. Or should I publicly laugh off these jeers and insults?” For
a moment he looks straight ahead, eyes focused on one point, and slowly sips
his piping hot tea. Even though the steam irritates his wide-open eyes. He
doesn’t mind, it helps him focus. After a longer pause he says: “That would be
stupid! To tell them. It’ll be better to limit get togethers between our girls
to the minimum, from now on we’ll drive over to see them only over Christmas
and Easter. That’s all. If they want help with anything, maybe the house,
sawing the wood, then I’ll drive over on my own and stay at their place for a
few days.” Finally, he is calming down. He’s finishing off his tea. He puts the
mug down on the table-top and goes to bed. For three more hours he lies in bed,
still awake, but pleased with his decision. He’s merely waiting for the alarm
clock to ring, he’ll get up, wake up the kids, take them to school and then
they’ll head to work. His older daughter is studying at the eight-year
Gymnasium and the younger one has been attending a primary private school for
three years. “It’s expensive, but she deserves it, I don’t want to ruin that.”
In Process, Without Prospects, author's reading, opening of the Beyond Nuclear Family exhibition organized by Jindřich Chalupecký Society, Foundation and Center for Contemporary Arts Prague, June 2020, photo: author’s archive